The Young Messiah features Sean Bean, Christian McKay, and a cast of relatively unknown British actors in an adaptation of Anne Rice's book Christ the Lord: Out of Egypt. This represents a 180-degree turn from Rice's previously adapted stories Interview With the Vampire and Queen of the Damned.
The story of The Young Messiah follows a 7-year old Jesus (Adam Greaves-Neal) and his family as they journey from Egypt back home to Nazareth. Along the way, young Jesus slowly discovers his identity as a healer, leader, teacher and savior. Mary (Sara Lazzaro), Joseph (Vincent Walsh) and uncle Cleopas (McKay) try to guide Jesus while also protecting his gift.
Watching this film prompted me to spot obvious parallels to the story of young Superman, which could bode well for the film's play with mainstream audiences accustomed to the comic book adventures currently ruling the marketplace. However, it's important for these folks to recognize that Jesus came first, and that Jerry Siegel and Joe Shuster created Superman as a Christ-like figure.
This seems obvious, but I wouldn't put it past those unversed in either the Gospel or comic book lore.
Some parts of the film - the character of Cleopas relegated largely to comic relief, as well as a dramatic staredown between Jesus and Roman centurion Severus (Sean Bean) in the Jewish temple - feel as corny as a comic book, but this is still a part of Christ's story that has yet to be told in cinematic form. As such, it stands out from most faith-based fare and is largely worth a look.
The Young Messiah's worst sin, however, is its whitewashing. This is yet another version of a biblical story with a spray-tanned British cast. The young Greaves-Neal captures the innocence of Jesus as a child, but his thick English accent makes him painfully difficult to take seriously. Same goes for most of the cast. The commitment from Lazzaro and Walsh as Mary and Joseph respectively make things tolerable, but there's still no reason for this kind of casting anymore. It's 2016, and there are plenty of capable, region-accurate actors to play these roles. See Cliff Curtis as Jesus in Risen.
Like Risen I never felt patronized as an audience member while watching The Young Messiah, but unlike Risen I left feeling apathetic. The poor casting makes it hard to buy into the characters despite the superior technical presentation compared to most recent Christian films.
C+
