Tuesday, January 26, 2016
Sundance 2016 - "Antibirth" Review
Six years ago, writer/director Danny Perez brought his experimental music film Oddsac to the Sundance Film Festival. At that time, Perez promised the director of programming for the festival's "Midnight" section that he would eventually return with "the midnight movie to end them all." That's a bit overzealous. The film is too serious to match the giddy goofiness of Yoga Hosers, not gory enough to satisfy bloodlust the way 31 does, and just isn't as gloriously fucked up as The Greasy Strangler. That said, Antibirth may be the most artistically impressive of the midnight movies I've seen so far this week.
The film centers around Lou (Orange is the New Black's Natasha Lyonne), a hard-partying slacker who wakes up one morning with symptoms of a strange illness. All the while, talk of government conspiracies and alien experimentation permeate the background. Concerned that she may be pregnant, Lou attempts to ruin the kid by continuing her bender of bong hits, chain smoking and binge drinking. As we expect, those toxins in Lou's system mess her up pretty bad but what we don't expect is just how bad. And, man, it's pretty horrendous.
Perez showcases Lou's hallucinatory drug trips somewhat differently than what we've seen in film before. Rather than carry on for an entire scene with manipulated lens filters and shudder effects, Lou only hallucinates in "shards of time," as if the bong rips force her to remember, rather than forget, glimpses of how she became "pregnant."
Helping Lou piece together the mystery is her best friend Sadie (Chloe Sevigny). The chemistry between real-life pals Lyonne and Sevigny comes off natural, making it easier to sympathize and engage with the characters.
The cinematography from Rudolk Blahacek is also quite impressive. I love the way the film is lit, especially during the final 10 or so minutes. Blahacek's work also allows the special practical effects to shine for ultimate, slimy, gross-out impact.
If you can picture a less intelligent version of David Lynch's Eraserhead with the body horror of David Cronenberg, you'll have a good idea of what to expect from Antibirth.
B-
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