Director Zack Snyder’s long-awaited Superman epic, “Man of
Steel,” was one of the biggest blockbusters of the summer.
“Chronicle” screenwriter
Max Landis recently took to YouTube and voiced his opinion on the latest
incarnation of Superman, as well as the general state of today’s superhero
films, in a video titled “Regarding Clark.”
The clip brought a startling truth to my attention that I
think is worth sharing.
Icons like Superman, The Avengers, the Autobots and even the
Jaeger pilots from this year’s “Pacific Rim” all possess some form of heroic duty.
This usually stems from a “gift”, or some physical ability that makes them
superior to, and ultimately responsible for, the rest of humanity.
As the famous “Spider-Man” adage goes, “With great power comes
great responsibility.”
So then why is it that when Superman fights General Zod, all
of Metropolis gets leveled in the process?
Why is it that when The Avengers square off against Loki and
his intergalactic army, New York is reduced to rubble?
Why is it that when the Kaiju sea monsters close in on
Sydney, the city only proceeds to burn once the Jaegers show up?
Think about the most financially-successful films of the
past two or three summers. “Everything ends in the same city-destroying
pandemonium with a terrorist attack from outer space,” as Landis says.
When our “heroes,” the very beings sworn to protect us
infantile humans from harm, become the source of destruction and death, they
cease to become heroes.
Regardless of whether the bad guy is stopped or not, there’s
nothing “heroic” in watching Iron Man and Optimus Prime stand tall at the end
of a fight when there’s nothing behind them but ruin.
“That isn’t a superhero, to me,” says Landis. “That’s like a
rock star.”
But to me, this raises an even bigger question that speaks
to us as paying audiences. Just as Superman and Iron Man are responsible for
the people’s survival, the people are responsible for their heroes’ survival at
the box office.
With big event films like this, do we find ourselves so
engrossed in a specific performance, line of dialogue, or IMAX 3D visual effect
shot that we forget the broader impact of the on-screen events as they pertain
to the story?
For this reason, will we, as audiences, be numb to the
conflicts at hand when we sit down to watch “The Avengers” and “Man of Steel”
sequels in 2015?
I like to think that most moviegoers pay their $10.50 just
to laugh at Tony Stark’s witty jokes because they’re entertaining.
I’m guilty of it. I admit that I enjoy watching Robert Downey,
Jr. banter with The Avengers.
I like special effects and action sequences because they
make me feel like a giddy 8-year-old again.
But like Landis, I disapprove of our “heroes” increasingly
becoming “villainous” in a way, since they seem to be as much of a bane to
humanity as the villains do.
Life is difficult, and goodness knows, who can we look up to
in times of hardship if our “heroes” become part of the problem?
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