Here are my picks for the "Big 10" categories at 85th Annual Academy Awards, airing THIS SUNDAY, February 24th on ABC.
BEST PICTURE– ARGO
It’s been sweeping every “Best
Picture” accolade for the last month. No other film this year delivers Argo's
level of nerve-shredding suspense punctuated by top-notch acting performances.
Simply the year’s finest drama.
BEST ACTOR – DANIEL DAY-LEWIS, Lincoln
Day-Lewis embodies
his role on a level far above any other actor this year. After he wins, I’m
calling the U.S. Mint. I want a Day-Lewis $5 bill.
BEST ACTRESS –JESSICA CHASTAIN, Zero Dark Thirty
She gave
me the feeling that there was a storm of emotions brewing underneath that
steely exterior, and I never felt like I knew what she would be doing next. That
kind of unpredictability is refreshing for such a familiar, fact-based drama.
BEST SUPPORTING ACTOR – PHILIP SEYMOUR HOFFMAN, The Master
I wish Samuel L. Jackson had been nominated for his scene-stealing turn in Django,
but Hoffman’s been garnering lots of accolades for his captivating performance
in The Master, including the Critics’ Choice Award and a Golden Globe
nomination.
BEST SUPPORTING ACTRESS – ANNE HATHAWAY, Les Misérables
One of the finest, stirringly emotional performances I've ever seen. Her
rendition of “I Dreamed a Dream” moved me to tears.
BEST ANIMATED FEATURE –WRECK-IT RALPH
Loads of fun with
colorful animation and classic video-game characters. A nostalgia trip with
something for the kid in all of us.
BEST DIRECTOR – ANG LEE, Life of Pi
Lee was confronted with the most daunting task any director faced this year: giving cinematic life to Yann Martel's "unfilmable" novel. For his efforts in pioneering state-of-the-art 3D technology, selecting stunning cinematography, and garnering A-list performances from a cast of relative unknowns, Ang Lee should take the top prize for pulling off what many said was impossible.
BEST FOREIGN-LANGUAGE FILM – AMOUR
It’s also nominated for Best
Picture. ‘Nuff said.
BEST ADAPTED SCREENPLAY – TONY KUSHNER, Lincoln
Kushner
is the man responsible for crafting the foundation for Daniel Day-Lewis’s
bone-deep performance. Lincoln wouldn't be the consistently engaging period
piece that it is without Kushner’s fine interpretation of Doris Kearns
Goodwin’s book.
BEST ORIGINAL SCREENPLAY – QUENTIN TARANTINO, Django
Unchained
With the Critics’ Choice, BAFTA, and Golden Globe under his belt,
Tarantino should have no trouble snatching the Oscar for his sharp, wildly imaginative
screenplay.
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