"La La Land" Review

You often hear people criticize films by saying "They don't make 'em like they used to." Well, I think Damien Chazelle (Whiplash) just filled that void.

La La Land is a musical-comedy-romance-drama about coming to terms with your dreams. It shares DNA with many of the classic Hollywood musicals, specifically Singin' In the Rain and Meet Me In St. Louis. Anyone who has ever been in love, aspired to something great, or felt the pain of defeat should experience a deep connection to this film.

Ryan Gosling and Emma Stone play aspiring artists; he, a jazz musician named Sebastian who dreams of opening his own club and she, an actress named Mia who dreams of hitting it big. They are drawn to each other by their passion for their respective endeavors. As success begins to mount for them both, ensuing circumstances threaten to tear Seb and Mia apart.

One of the best things about La La Land is that it has its feet planted firmly in nostalgia while also delivering something that feels fresh. By its very nature, La La Land isn't as white-knuckle engaging as Chazelle's prior effort, Whiplash. I think Whiplash is the superior film, but that doesn't mean that La La Land isn't something special. From the opening musical number - "Another Day of Sun," in which commuting Angelinos relieve their road rage by dancing and singing all over a gridlocked freeway - you can tell this movie is going to be something special. The story doesn't boil down to an easy, familiar resolution either. I won't spoil anything, but if you come out of this movie feeling depressed, you need to go back to the box office, buy a ticket to the very next show, and watch the whole thing again. You missed the point.

Stone and Gosling deliver performances that all but secure Oscar nominations, if not wins. They're no Astaire and Rogers; "A Lovely Night" feels like two average people took one dance class and decided to go shoot a big tap-dance number. Having said that, Gosling and Stone's chemistry is as close as Hollywood currently has to those classic duos of yesteryear.

The production design by David Wasco is also quite wonderful. With so many iPhones and Toyota Priuses used by characters throughout the production, (there's a great gag at the valet kiosk when Seb and Mia leave a party in the Hollywood Hills) it's clear that the story takes place in the present day. However the sets and costumes maintain that vintage "Hollywood" feel at the heart of Chazelle's story.

Lastly, I have to mention the incredible original soundtrack by Justin Hurwitz. The marquee tracks "City of Stars" and "Audition" are likely to go neck-and-neck for all the Best Original Song awards this year. "Another Day of Sun" and "Someone In the Crowd" are peppy, toe-tapping ensemble numbers while "A Lovely Night" is reminiscent of classic Broadway duets. "My Time of Day" from Guys & Dolls immediately comes to mind.

You'll have done yourself a disservice if you miss out on La La Land this year. I'm not certain that it's the best film of 2016, but it's up there and is all but assured multiple Oscar wins - including Best Picture.

A

"War Dogs" Review

War Dogs is the latest feature from Todd Phillips, the director of The Hangover. It's based on the true story of David Packouz (Miles Teller) and Efraim Diveroli (Jonah Hill), two twentysomethings who scored a $300 million government contract to arm America's allies in the Middle East.

The movie is told from Packouz's perspective; we find him as a masseur for wealthy clients in Miami but having a hard time making end's meet. When his girlfriend Iz (Ana de Armas) informs him that she's expecting, David takes advantage of an opportunity to work with Efraim, his best friend from middle school. Efraim is a gun runner, and together, the two young men build a company that has them running weapons through some of the world's most dangerous places. David and Efraim meet lots of colorful characters on their way to the top, and the story is the better for it.

The trailers for this film didn't look that great. It looked like another stupid "frat boy" comedy, the kind of which Phillips has largely staked his career in. War Dogs has some of those elements, but it turns out to be a much more engaging dramatic piece. Its execution owes almost everything to Martin Scorsese; Teller's voiceover is reminiscent of Ray Liotta's in Goodfellas. The "rise and fall" narrative for Packouz and Diveroli also follows similar beats to Henry Hill's story.

Performances are great. Teller proves time and again that he's one of the best young actors working today. He cements his spot on a list of actors this reviewer would watch in just about anything - Kevin Spacey, Tom Hardy, Tom Hiddleston, Jake Gyllenhaal and Robert Downey, Jr. to name a few. Hill exudes charisma while handing in an award-worthy turn.

For me, the film doesn't have many glaring issues. My biggest gripe is that the narrative slows down about 3/4 of the way through while David is in Albania. However it picks up again as it comes to its climax. Some may also find the nods to Scorsese as cheap imitation rather than an exhibition of its own director's voice. It didn't come off that way for me; I appreciate how cinema history informs present works. I'm just warning you if you're the type of viewer put off by "original" films which seem beholden to something else.

War Dogs is recommended to anyone who appreciates the works of Scorsese and/or Phillips' oeuvre of male mayhem.

B+